What the Bible says about Jesus

The True Light "In him, (the Lord Jesus) was life, and that life was the light of men. The light shines in the darkness, but the darkness has not understood it. The true light that gives light to every man was coming into the world,…the world didn’t recognize him." John 1:4,9.
The Good Seed and the Weeds The kingdom of heaven is like a man who sowed good seeds in his field. But while everyone was sleeping, his enemy came and sowed weeds among the wheat and went away. Matthew 13:24,25.
Showing posts with label Worship - Praise music. Show all posts
Showing posts with label Worship - Praise music. Show all posts

Tuesday, November 18, 2014

My Journey Away from Contemporary Christian Music


Reblogged fromhttp://www.dancogan.com


I have been what many would call a “worship leader” for close to two decades. When I first became involved in “worship ministry” in an Assemblies of God youth group we sang such songs as The Name of the Lord Is a Strong Tower, As the Deer, Lord I Lift Your Name on High, and others of the era of the 1980s and 90s. Ours was considered a stylistically progressive church since we used almost exclusively contemporary songs.

This meant that if I were to visit a “traditional” church, not only would I be unfamiliar with the hymns, I would also likely cringe when they sang them and in my heart ridicule them (the people rather than the songs) as being old-fashioned.

It was during these formative years in my experience as a worship leader that I began to introduce even more contemporary songs to our youth group. It was then that I discovered artists like Delirious, Darrel Evans, Matt Redman, and Vineyard Music with their songs Did You Feel the Mountains Tremble, Trading My Sorrows, Heart of Worship, and Hungry. 
As a young musician who desired to honor Christ, I found these songs to be particularly compelling. I felt different when we sang them. The way Nirvana gave voice to the angst of Generation X, bands like Delirious were giving voice to a generation of young Christians who didn’t feel they could relate to the songs of their parents and grandparents.

Over the years when I would occasionally hear a hymn, the language was always strikingly foreign, with Ebenezers and bulwarks, diadems and fetters. Which only served to confirm my bias that hymns were simply out-of-date. They had served their purpose. They had run their course.

The problem with my youthful logic only began to dawn on me about seven years ago. I had come to recognize that these ancient hymns accomplished something that the new songs weren’t. While contemporary worship seemed to take the listener on an exciting and emotional rollercoaster, the old hymns engaged the mind with deep and glorious truths that when sincerely pondered caused a regenerated heart to humbly bow before its King.

When I accepted my first post as a paid member of a church staff in 2007, I began the practice of singing one hymn each week. There were times where my peers would teasingly ask what an “Ebenezer” was. What I found was that when I gave them a basic definition of these seemingly obsolete words we were singing, their response was usually something akin to, “Oh? Cool. I never knew that!” I think when they asked, they half expected me to say, “I don’t know! Weird word, huh?” Instead they were being challenged to learn, not merely a new word, but how to ponder the things of God deeply when we sing His praises.

Nowadays, I still choose songs for our congregation to sing that were written recently, but they 

are becoming increasingly the minority. And the criteria for selecting them is becoming more and more thorough. Hymns have begun to take precedent in my song selection for two reasons.

First, hymns have been sung by the giants of the faith who have gone on before us over the last two millennia. 
When we sing A Mighty Fortress Is Our God, we join with Martin Luther who wrote it, and with Calvin and Spurgeon and Edwards who invariably sang and cherished it. When we sing It Is Well With My Soul we are encouraged by the faith of Horatio Spafford who wrote the hymn in the wake of the tragic death of his four daughters. And while many contemporary songs have certainly been written by wonderful brothers and sisters in Christ who have surely endured trials, the fact that we can join with generations past and be reminded that the Church is vastly larger than our local congregation, farther reaching than our town or state or country, and much, much older than the oldest saint living today is something we should not take lightly. Indeed, this should birth in us a desire to sing the songs that our Family has sung together for two-thousand years (and beyond when we discuss singing the Psalms).

Second, the content of hymns is almost always vastly more theologically rich. When I say rich, I don’t necessarily mean every hymn recounts the Gospel in it’s entirety, or that all hymns clearly teach the Five Points of Calvinism. Rather, the theology in the hymns is typically more sound or healthy than much of contemporary worship music. As I said earlier, contemporary songs engage our emotions more often, where the hymns engage our hearts by way of the mind.

By way of example, one of the top ten contemporary songs being sung in American evangelical churches right now is called One Thing Remains. While there is nothing in the song particularly bad (in fact, much of it is pretty good), it seems to me that the purpose of the song is to work the listeners into an emotional state. The chorus is:
“Your love never fails / It never gives up / Never runs out on me / Your love never fails / It never gives up / Never runs out on me / Your love never fails / It never gives up / Never runs out on me / Your love / Your love / Your love.”
With the repetition of a simple lyric like that, it isn’t a stretch to say that the composers’ goal was not to engage the listeners mind.
Whereas Augustus Toplady’s hymn Rock of Ages is doctrinally sound, it also is a very moving song of our dependance upon Christ our Rock:
“Rock of Ages cleft for me / Let me hide myself in Thee / Let the water and the blood / From Thy wounded side which flowed / Be of sin the double cure / Save from wrath and make me pure.”
So I make this plea to my fellow ministers, do not neglect these milestones from ages past. In fact, I would make the case for the abandonment of most contemporary songs. If you choose a song for congregational worship based on it’s content (say you have chosen a contemporary song because of it’s focus on the Cross), do the hard work of finding a hymn that more than likely addresses the same topic or doctrine in a much deeper way.

If on the other hand you have chosen a song because of the way it feels or the emotion it evokes, ask yourself whether you are depending upon the Holy Spirit or your own skills to engage our brothers and sisters in singing to our King.

Tuesday, October 14, 2014

Is your church worship more pagan than Christian?


There is a great misunderstanding in churches of the purpose of music in Christian worship. Churches routinely advertise their “life-changing” or “dynamic” worship that will “bring you closer to God” or “change your life.” Certain worship CD’s promise that the music will “enable you to enter the presence of God.” Even a flyer for a recent conference for worship leaders boasted:

"Join us for dynamic teaching to set you on the right path, and inspiring worship where you can meet God and receive the energy and love you need to be a mover and shaker in today’s world…Alongside our teaching program are worship events which put you in touch with the power and love of God."

The problem with the flyer and with many church ads is that these kinds of promises reveal a significant theological error. Music is viewed as a means to facilitate an encounter with God; it will move us closer to God. In this schema, music becomes a means of mediation between God and man. But this idea is closer to ecstatic pagan practices than to Christian worship.

Jesus is the only mediator between God and man. He alone is the One who brings us to God. The popular but mistaken notions regarding worship music undermine this foundational truth of the Christian faith. It is also ironic that while many Christians deny the sacramental role of those ordinances which the Lord Himself has given to the church (baptism and the Lord’s Supper) they are eager to grant music sacramental powers. Music and “the worship experience” are viewed as means by which we enter the presence of God and receive his saving benefits. There is simply no evidence whatsoever in Scripture that music mediates direct encounters or experiences with God. This is a common pagan notion. It is far from Christian.


In his helpful book True Worship Vaughan Roberts offers four consequences of viewing music as an encounter with God. I will summarize them.


1. God’s Word is marginalized.
In many Churches and Christian gatherings it is not unusual for God’s Word to be shortchanged. Music gives people the elusive “liver quiver” while the Bible is more mundane. Pulpits have shrunk and even disappeared while bands and lighting have grown. But faith does not come from music, dynamic experiences, or supposed encounters with God. Faith is birthed through the proclamation of God’s Word (Rom 10:17).

2. Our assurance is threatened.
If we associate God’s presence with a particular experience or emotion, what happens when we no longer feel it? We search for churches whose praise band, orchestra, or pipe organ produce in us the feelings we are chasing. But the reality of God in our lives depends on the mediation of Christ not on subjective experiences.


3. Musicians are given priestly status.
When music is seen as a means to encounter God, worship leaders and musicians are vested with a priestly role. They become the ones who bring us into the presence of God rather than Jesus Christ who alone has already fulfilled that role. Understandably, when a worship leader or band doesn’t help me experience God they have failed and must be replaced. On the other hand, when we believe that they have successfully moved us into God’s presence they will attain in our minds a status that is far too high for their own good.


4. Division is increased.
If we identify a feeling as an encounter with God, and only a particular kind of music produces that feeling, then we will insist that same music be played regularly in our church or gatherings. As long as everyone else shares our taste then there is no problem. But if others depend upon a different kind of music to produce the feeling that is important to them then division is cultivated. And because we routinely classify particular feelings as encounters with God our demands for what produce those feelings become very rigid. This is why so many churches succumb to offering multiple styles of worship services. By doing so, they unwittingly sanction division and self-centeredness among the people of God.


Scripture is full of exhortations to God’s people to sing and make music to the Lord. Our God has been gracious to give us this means to worship Him. But it is important to understand that music in our worship is for two specific purposes: to honor God and to edify our fellow believers. Unfortunately, many Christians tend to grant music a sacramental power which Scripture never bestows upon it.
 

Todd Pruitt serves as Lead Pastor of Covenant Presbyterian Church in Harrisonburg, Virginia. Raised a Southern Baptist, he is a graduate of Midwestern Baptist Theological Seminary in Kansas City. He blogs regularly at Ref21 and 1517. Todd, along with Carl Trueman and Aimee Byrd, is one of the hosts of Mortification of Spin. He and his wife Karen have three children.

A Short Single Sentence that Saved my Life

Interview: Jack Hibbs, Jonathon Cahn and Jason Sobel (Part 4) | Podcast ...

Most Visited